For Sue, the world of moving Ffxiv Gil imagery is key. You never seeclothes static, she points out. They're always moving -- that'sthe beauty of the fabric that people choose, the weight, thequality, the shine. So when you see a flat drawing you're notreally capturing what the dress is doing.
In fact, the emphasis on movement chimes with the ongoingpopularity of gifs online and the rise of that medium in fashionwhether to state the mood of a show or to capture noteworthysnippets from the runway.
We haven't got Disney-esque quality software but we're going tobe using After FX and Final Cut Pro to get our illustrations into adifferent format. It's up to the students how they interpret thesoftware depending on how creative they're going to be, says Sueof an upcoming animation project as part of the FashionIllustration course. That's an area we're going to be exploringmuch more because that's where industry wants us to go.
In fact, the emphasis on movement chimes with the ongoingpopularity of gifs online and the rise of that medium in fashionwhether to state the mood of a show or to capture noteworthysnippets from the runway.
We haven't got Disney-esque quality software but we're going tobe using After FX and Final Cut Pro to get our illustrations into adifferent format. It's up to the students how they interpret thesoftware depending on how creative they're going to be, says Sueof an upcoming animation project as part of the FashionIllustration course. That's an area we're going to be exploringmuch more because that's where industry wants us to go.
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